Arun Ketsirat

Arun Ketsirat is a Thai-Australian filmmaker, educator, and founding director of Seeding Time Pictures. Her work has received support from Screen Australia, Screen Queensland, and the Asia Pacific Screen Awards, including Bigger than Boobs (APSA Short Film Fund, 2018), PTSD Love Stories (SQ Completion Fund, 2020; ABC Compass, 2021; SA Producer Equity Program, 2023), Epilogue (SQ R.I.D.E. Shorts, BIFF Premiere, 2022), and Why Is It So Hard to Talk to My Mother? (SQ Development Fund, 2025). Arun worked in the Assistant Directing team on Ron Howard’s Thirteen Lives (Amazon Prime, 2022) and has lectured in film at Griffith Film School since 2013. 

Kym Melzer

Kym Melzer is a producer and writer whose commitment to equity is grounded in her Māori heritage, as a proud descendant of Heeni Te Kirikaramu (Jane Foley). She produced PTSD Love Stories (2025) and the award-nominated The Ripple Effect of PTSD, underpinned by her PhD in documentary ethics. Her credits include Netflix productions Spiderhead, True Spirit, and Ticket to Paradise, alongside work with Screen Australia, Universal Pictures, and Legendary Entertainment. With a Graduate Diploma in Business Administration and an AFTRS certificate in Production Accounting, Kym now blends creative insight with strategic support in production accounting while championing inclusive storytelling.

Judy Yeh

Judy is a film editor and post-production specialist with over 10 years of successful projects demonstrated in the arts, documentary, television, film and media industry. Her cultural background has, not only made her highly adaptable, but have also enriched her creative language and experiences, which she expresses through her craft. Judy’s works include: Flyways: The Story of Migratory Shorebirds (2023, Arte, HHMI, ABC and PTS); Lili (2019, Sydney International Film Festival Premiere and Best documentary for the Hungarian Film Critics Award); Lost Contact (2022, Flickerfest Official Selection and Best documentary at St Kilda Film Festival); Good Times and That’s Okay (2022, Melbourne Queer Film Festival Best Short Film).

Sara Goddard

Sara is an emerging filmmaker who began working at Seeding Time Pictures as a transcriber and throughout her three years with the company has worked as editor on various social media campaigns, such as The Making of Soulbeats (2020), an 8 x 3 min behind the scene series. PTSD Love Stories is her debut feature film work. In 2021, Sara was the Media Manager of the first season of Below Deck Down Under, the latest spin-off of the hit US reality show Below Deck. Although her main love is editing, Sara enjoys working in different areas of production; she was a videographer on the behind-the-scenes of Soulbeats (2020) and worked as a researcher as part of an internship with Wall to Wall Media. Sara’s goal is to one day work on feature films and create projects that explore her Australian/Guyanese heritage.

Michael Vasiliev

Michael is a Brisbane based freelance sound editor and re-recording mixer for film and TV.  He has been working with Seeding Time Pictures since 2013 and is a key collaborator for their sound post production team.  Over the years he has contributed to many of their titles, and in his spare time he can often be found sailing the sound waves of the frequen sea, in his pursuit of discovering the ultimate sound of diamond tier fidelity. Michael takes exceptional pride in his craft and has only one philosophy: If the bass ain't boomin', I'mma be fumin'.

Sarah Ward

Sarah is a sound designer and sound editor and composer for Film/TV and Games. Growing up on an island in Moreton Bay, Sarah spent much of her childhood using her imagination, thus igniting her creative spark which she has carried on in her sound and music work. She has worked on many projects with Seeding Time Pictures since 2018 - most recently PTSD Love Stories, which aired on ABC’s Compass in May 2021. She has also worked with SuperTonic on the survival adventure game Windbound (Xbox, Playstation, PC, Nintendo Switch, Stadia), developed by 5 Lives Studios and published by Deep Silver. Most recently, Sarah has contributed sound design to The Great and Grand Rumpus currently exhibiting at the State Library of Queensland.